In the near future, criminals are forced to act in art movies instead of going to jail. Ten years later, a group of theatre students attempt to recreate one of these films. Part Godard video-essay, part cheeky sci-fi comedy, Mid/Evil Times is a wildly inventive micro-budget film that plays with art, artifice, labour, authenticity, and the nature of cinema itself.
Made with an SOV ethos and a restless, unpredictable style, it is a whimsical mindfuck that constantly asks viewers to expect the unexpected.